In these generative music tutorials, you’ll learn how to make music that’s always changing and completely composed in real time. You’ll be able to use these techniques to create unique, ambient soundscapes, add excitement and unpredictable elements to your arrangements, and generate new melodic and harmonic ideas for further composition.
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Generative Music With Logic Pro Part 1 [Premium]
Posted April 7th, 2009 by Graham English
In these generative music tutorials, you’ll learn how to make music that’s always changing and completely composed in real time. You’ll be able to use these techniques to create unique, ambient soundscapes, add excitement and unpredictable elements to your arrangements, and generate new melodic and harmonic ideas for further composition.
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Graham English says:
I don’t think we can compare any new release of Logic Pro to the Final Cut Pro X release. We already had our...
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Alex / delamar says:
Maybe putting it into the App Store finally means a new version is coming. We heard rumors about Apple redoing the work...
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Rob F says:
I think for me 2012 is the year to finally use main stage on the “main stage” I want to have main stage mixed in to...
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Graham English says:
Also, MainStage is only 30 bucks and gives you access to the same instruments and loops as Logic Pro. Talk about a...
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Graham English says:
I totally agree. That 4+ hour DVD install could be brutal.
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Rob F says:
I think they made a great choice by changing the price and making it more accessible to more musicians, also really like that I...
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nylarch says:
A couple of other nice sources of saturation in Logic: Overdrive is really good – turn the bias almost all the way up so...
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Jon Curtis says:
If you save as a Channel Strip, it will keep the 0ms setting.
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Graham English says:
This video explains how to create markers. But we also explain how to use them in other videos and on the wiki: Markers.
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Graham English says:
Good catch. Thanks, Anthony!
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hey graham, your really on a roll the tutorial and advice your giving is stellar keep up the great work. jsmall
Thanks, Joe!
Hey Graham, there’s actually a really great article from an old issue of Virtual Instruments Magazine (if my memory serves) about how Michael Brecker was using these and similar techniques on a grand scale to create very complex algorithmic harmonies with his EWI wind controller (using Logic, naturally). Just thought it was cool and relevant if anyone wants to try and check it out. Oh, and there’s even a full centerfold of his environment set up and, believe me, they need both pages to show it.
Man, I wish I could get my hands on that issue! Might have to do some research on that one. I’m a HUGE Brecker fan.
Great tutorial!
Thanks, Michael!
Hi Graham,
Great tutorial!
Is there a way to record the midi that’s being generated – in order to make tweaks afterwards?
Thanks, Sambodhi! I just answered your question in part 3.
good tutorial.
got a question.
is there any ways of assigning midi knob controller for delay line’s delay time and feedback amount?
i know how to do on arpegetor.
thanks in advance.
Sure you can. Check my Assigning Controllers Workshop.