Monthly Archives: January 2010


Trifonic: Multi-Band Rhythmic Gating In Logic Pro

Posted January 28th, 2010 by

Trifonic: Multi-Band Rhythmic Gating In Logic Pro

Brian Trifon demonstrates how multi-band filtering works using Logic Pro.

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Help! My Record Enable Button Is Missing! [Subscriber Questions]

Posted January 27th, 2010 by

Help! My Record Enable Button Is Missing! [Subscriber Questions]

So you upgraded Logic Pro or opened a project and your record enable, freeze, or some other button is now missing. Have no fear. It’s usually a very simple fix.

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How Do I Control A Software Instrument’s Bypass Button? [Subscriber Questions]

Posted January 21st, 2010 by

How Do I Control A Software Instrument’s Bypass Button? [Subscriber Questions]

Learn how to control the bypass of a software instrument using the environment. From there, you can choose a specific MIDI event to control it remotely.

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How To Open Logic Pro 9 In 64-Bit Mode [Logic Studio Minute]

Posted January 21st, 2010 by

How To Open Logic Pro 9 In 64-Bit Mode [Logic Studio Minute]

Learn how to open Logic Pro 9.1 in 64-bit mode and more.

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What Is A Notch Filter And How Do I Use It? [Subscriber Questions]

Posted January 20th, 2010 by

What Is A Notch Filter And How Do I Use It? [Subscriber Questions]

Learn what a notch filter is, where to find it in Logic Pro, and how it’s used.

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Trifonic: Creating Your Own Multi-Sample Instruments

Posted January 20th, 2010 by

Trifonic: Creating Your Own Multi-Sample Instruments

Brian Trifon discusses the benefits of creating your own multi-sample instruments, and shows off a few of Trifonic’s own multi-sample creations.

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Logic Pro 9.1 and MainStage 2.1 Updates Are Available

Posted January 12th, 2010 by

Logic Pro 9.1 and MainStage 2.1 Updates Are Available

Check your Software Update! This is big news: 64-bit! Logic Pro 9.1 and MainStage 2.1 updates delivers improved compatibility and numerous fixes.

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Trifonic: Bass Filter Modulation and Layering

Posted January 7th, 2010 by

Trifonic: Bass Filter Modulation and Layering

Brian Trifon talks about Trifonic’s technique for creating big, wobbly bass sounds. You can download the bass patch from Next Step Audio.

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Trifonic: Editing Beats – Part 2

Posted January 4th, 2010 by

Trifonic: Editing Beats – Part 2

Brian Trifon continues his discussion on drum programming and demonstrates Trifonic’s method for time-stretching to create special effects and glitchy awesomeness.

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Trifonic: Editing Beats – Part 1

Posted January 4th, 2010 by

Trifonic: Editing Beats – Part 1

Brian Trifon demonstrates some of Trifonic’s techniques for chopping up a beat loop, creating stutter edits, and making glitch effects.

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Recent Comments

Graham English says:
I don’t think we can compare any new release of Logic Pro to the Final Cut Pro X release. We already had our...
From: Logic Pro and MainStage Now Available on App Store


Alex / delamar says:
Maybe putting it into the App Store finally means a new version is coming. We heard rumors about Apple redoing the work...
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Rob F says:
I think for me 2012 is the year to finally use main stage on the “main stage” I want to have main stage mixed in to...
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Graham English says:
Also, MainStage is only 30 bucks and gives you access to the same instruments and loops as Logic Pro. Talk about a...
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Graham English says:
I totally agree. That 4+ hour DVD install could be brutal.
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Rob F says:
I think they made a great choice by changing the price and making it more accessible to more musicians, also really like that I...
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nylarch says:
A couple of other nice sources of saturation in Logic: Overdrive is really good – turn the bias almost all the way up so...
From: Top-Secret Analog Tape Saturation Effect [Premium]


Jon Curtis says:
If you save as a Channel Strip, it will keep the 0ms setting.
From: Top-Secret Analog Tape Saturation Effect [Premium]


Graham English says:
This video explains how to create markers. But we also explain how to use them in other videos and on the wiki: Markers.
From: Creating Markers in Logic Pro [Premium]


Graham English says:
Good catch. Thanks, Anthony!
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