In Part 6 of The Progressive Rock Method’s How to Program and Edit Progressive Rock Drums you will learn the differences between half-time, regular-time, and double-time feels, and how to implement them into your drum programming to enhance your music.
Tag: tempo
The Progressive Rock Method Part 5 – How to Program and Edit Progressive Rock Drums: Tracking An Advanced Part
In Part 5 of The Progressive Rock Method’s How to Program and Edit Progressive Rock Drums, you will learn how to apply all the previously discussed programming concepts – effective uses of the various drums, workflow, dynamics, and general concepts that make the programming sound natural – to a complex drum beat that involves complicated meters shifts as well as a tempo change.
Logic Pro Audio Editing Part 2 – Flex Time
In part 2 of the Logic Pro Audio Editing tutorial, you’ll learn about using flex time and making tempo and pitch adjustments with varispeed.
The Logic Pro Arrange Window Part 3 – Lists
In part 3 of this Logic Pro premium tutorial, you’ll be given an overview of the Arrange Window Lists. We’ll cover the Lists Area, Event List, Marker List, Tempo List, and Signature List.
Scoring Workshop – Part 4
In part 4 of our Scoring Workshop, you’ll learn how to import standard MIDI files and use Logic Pro 9’s new selective track import.
Converting 4/4 Triplets To 12/8
Here’s how you can convert triplets in 4/4 meter to 12/8.
Tempo Track: Advanced Operations
This tutorial covers advanced tempo track techniques such as drawing curves and using quantization and alternate tracks.
Tempo Track: Basic Operations
This tutorial covers the basics of creating and editing tempo events and more.
MIDI Beat Mapping in Logic Pro
This tutorial covers the basics of beat mapping a MIDI region. You will learn how to match the tempo grid to an existing MIDI note events while maintaining the original timing of the performance.
Audio Beat Mapping in Logic Pro
This tutorial covers the basics of beat mapping an audio region. You will learn how to match the tempo grid to an existing audio region while maintaining the timing variations of the source audio file.